With 300 patches, there is a huge amount of sonic flexibility within Ferox and a variety of musical applications on offer. Omnisphere Ferox is full of lo-fi drumloops, ghostly mallets, crumbling analogue synth riffs, drifting modular leads, haunted pianos, warm synth pads, damaged acoustic basses, gritty basses, disturbing ambience, fractured strings, odd synth noises, broken retro machines, melancholy soundscapes and curious hybrid instruments. ![]() Nods to the work of Dave Porter (Breaking Bad, Better Call Saul), Ben Frost ( Fortitude) and Clark‘s Lost Panthers can also be found lurking in Ferox’s darkest corners. There are also hints of the brooding pulses and textured acoustic aura of Johann Johannson‘s scores for Sicario, Prisoners and the Icelandic TV series Trapped. The dark and mysterious modern tones of their film scores for Gone Girl and The Girl with the Dragon Tattoo supply the canvas on which Omnisphere Ferox has been created. A brooding, eerie, shadowy, noisy, swarming soundset designed to get under your skin. Inspired by the cinematic work by Trent Reznor and Atticus Ross, Ferox features an eclectic blend of analogue, hybrid acoustic, dark and distorted textures, rhythms, sequences and atmospheres. ![]() ![]() Omnisphere Ferox is a collection of 300 patches for Spectrasonics Omnisphere 2.
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